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Date: 2010-01-14
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Adobe After Effects CS4 Essential Training: Colorizing black and white objects
Chad Perkins
In this clip, host Chad Perkins discusses how to colorize black and white objects, footage, and effects. He covers hue, saturation, and lightness. He applies tint to the footage to remap white to a color and black to another color. He also works with tri-tone, which enables you to map the midtones; color balance to colorize an object that has a lot of gray in an image.
Logic Pro 9 New Features: Creating a Flex Marker
Damian Allen
In this clip, host Damian Allen details how to create a custom Flex Marker. He discusses how a clip has a second vocal trill after a first trill but Logic detected no transients in that area on the timeline. He then moves the playhead to the half beat to act as a guide for the alignment.
Google Chrome Browser Ads: 4K and 3K Color Grading at Katabatic Digital NYC
none
The web ads for the Google Chrome Browser are mechanical depictions of the human genius behind this highly sophisticated, yet simple-to-use browser. Each new feature of the browser has a story that's told via an inventive contraption, reminiscent of a college chemistry or physics experiment. During the color grading, Katabatic Digital in NYC (www.katabatic.tv) enhanced the browser for eight web spots created by 1st Avenue Machine for the BBH agency.
How to Burn JVC MOD videos to DVD on the Mac
Create Multiple DVD's from MOD files- JVC Everio HDD Camcorder
WIKI
So anyone who has purchased a JVC Everio HDD video camera has probably learned that they chose to use some god forsaken proprietary video format ? the .MOD extension. Many people would be happy with the .MOD file format if the software that came with the JVC Everio actually worked, and they have to seek converter software to convert MOD files to AVI, MPEG, RM, etc in order to playback and edit the videos they record. However, the conversion is actually unnecessary.
Adobe After Effects CS4 Essential Training: The color balance effect
Chad Perkins
In this clip, host Chad Perkins looks at how to change the actual color in footage, also known as color grading in the film industry. Chad uses the color balance effect in the effects and presets panel in After Effects to change the feel of a clip by adjusting its colors. He discusses a bit about color theory, discussing the color values of video, red, green, and blue.
Logic Pro 9 New Features: Flex View
Damian Allen
The Flex View is where you will do most of your audio tweaks. In this clip, host Damian Allen details the features of the Flex view, how to activate it, how to activate and deactivate tracks, how to access the Flex menu. He also covers the tempophone and Speed modes.
Company X Editor Barney Miller Takes the Director`s Chair to Helm Promotional Spot for G&S Fest 2010
none
Award-winning Company X Editor Barney Miller recently took the director's chair to helm a rollicking spot for New York Gilbert & Sullivan Players' (NYGASP) presentation of G&S Fest 2010, which includes the classic comic opera "Pirates of Penzance," as well as productions of favorites including "H.M.S. Pinafore," "The Mikado" and "Ruddigore."
Adobe After Effects CS4 Essential Training: Luminance Correction
Chad Perkins
In this clip, host Chad Perkins looks at how to correct luminance, or brightness problems in your footage. He shows you the color corrections panel and discusses the auto levels and other auto effects, but also works in the levels effect, detailing the histogram which shows what is going on in your image, shadow areas, mid tones and highlights of the histogram.
NeoClassics Films Brings Belgian Cinema To the Desert
The Over The Hill Band and The Misfortunates Screen at Palm Springs International Film Fest
Gregg Schwenk
The Over The Hill Band and The Misfortunates Screen at Palm Springs International Film Fest
Editing Music with Sound Forge
Learn to edit music effectively using Sony Sound Forge
Jeffrey P. Fisher
Rare is the project that doesn't require conforming music in some way to match the visuals, enhance the drama, or support the message. Library production music often comes with alternate timings, but these tend to be of the :29 and :59 variety. That's great for some spot work, but not useful all the time. Instead of selecting a music track that almost works, make any music track do what you want by editing it to fit your precise needs.
Adobe After Effects CS4 Essential Training: Slowing down and speeding up video
Chad Perkins
In this clip, host Chad Perkins covers the task of slowing down and speeding up video. He details how to slow down video footage and work with the stretch values in a clip, which expands the duration of the clip, or shortens the duration of the clip. He also works in the Time/Stretch dialog box, and the Time Warp effect as well.
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