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Date: 2009-12-01
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To Do The Most Good: Jeff Bednarz Directs Integrated Campaign For The Salvation Army via agency The Richards Group
Springing to life from The Salvation Army's online experience is a series of commercials that highlight stories of triumph over adversity. Directed by Jeff Bednarz, the television campaign and the expanded online profiles are part of The Salvation Army's innovative digital annual report created by The Richards Group, which has partnered with The Salvation Army since 2005 to produce multimedia campaigns.

Meeting the challenge of the 3D stereoscopic revolution. . . An Interview with Jeff Olm, Colorist Extraordinaire
As digital cinematography comes into its own, new roles are emerging for key players on the production team. Nobody knows this better than Jeff Olm, who is constantly working at the cutting edge of digital technology and whose current duties encompass Digital Stereo Effects and Colorist. Having started his visual effects career as an assistant editor in 1986 at The Post Group, Jeff now has over 50 film credits to his name including, Seabiscuit (Sequence Colorist), Reign of Fire (skydiving sequence Lead Compositor), Titanic, Spiderman, Castaway, Armageddon, Black Hawk Down and Harry Potter (visual effects compositing and/or color grading).


ENGINE ROOM ROLLS CAMERA FOR LARRY KING LIVE IMAGE SPOT
Engine Room is proud to have been tapped by the creatives at CNN On-Air to produce its Fall Season image spot for Larry King Live. The spot highlights the stature of the broadcast icon, with a unique behind-the-scenes view of his legendary, Los Angeles-based news studio.

STEELE Studios accelerates RED workflow with Quantel for Cindy Crawford
New commercials put to bed in record time on Pablo by leading LA post boutique
STEELE Studios (formerly STEELE VFX), known for its wide variety of services including DI, Visual Effects, Graphics, Online and Beauty, has recently purchased new Quantel technology to provide dramatically faster RED One Camera workflows.

3.06 GHz 17-inch MacBook Pro
Flagship MacBook Pro does not disappoint
I recently had a chance to review the latest, top-of-the-line unibody MacBook Pro from Apple; with a 3.06 GHz Intel Core 2 Duo processor, 8GB of RAM, a 500GB hard drive, and many other great features, this is the fastest Apple laptop I've ever used.

Diana's Top 10 Final Cut Pro 7 Features #4 - Sharing Your Sequence
New to Final Cut Pro 7 is an export function called Share. Gone are the days where you have to figure out your compression settings to export a sequence. One set of settings for your ipod, another for the web, another to create a DVD. Now, all you have to do is choose your destination and Final Cut Pro will determine the best settings for you!

HP Z400 workstation
On a pure price performance level, the system is hard to beat
The Hewlett-Packard HP Z400 is the company's entry level workstation. While it doesn't have the whiz bang design features of the HP Z800 reviewed in March, it still does not disappoint as the benchmark numbers will surprise you.

Diana's Top 10 Final Cut Pro 7 Features #5: Speed Changes
Whether or not you have used the Final Cut Pro speed functions, you're sure to love the new speed changes
Whether or not you have used the Final Cut Pro speed functions, you're sure to love the new speed changes. Simple-yet elegant and powerful. You will be able to change speed in your clips easily and with a lot of flexibility.

AVCHD Essentials: get, play, edit and convert AVCHD video on Mac
AVCHD is a high definition (HD) digital video camera recorder format recording 1080i and 720p signals onto MiniDVD discs, MiniDV tape, Hard Drive, and digital camera Memory Cards. AVCHD recordings made on MiniDVD discs can be played back on some Blu-ray disc players, however, AVCHD with a .M2TS and .MTS file extension can not be played back on standard DVD players and most portable players. This tutorial will explain how to get AVCHD video off HD camcorder to Mac, how to play, edit and convert AVCHD video on Mac, including Snow Leopard.

CUT + RUN ENJOYS THE XBOX 360 EXPERIENCE WITH NEW CAMPAIGN BY DIRECTOR STEVE COPE
Cut + Run recently collaborated with production company Rattling Stick and agency McCann Erickson London on the new campaign for the Xbox 360 platform.

CUT + RUN FOLLOWS THE LIGHT WITH THE FORD FOCUS
This latest spot for Ogilvy, showcases the attraction of the Ford Focus. "White & Orange" was directed by Vaughan Arnell of production company Serious Pictures and edited by Leo King of Cut + Run, and began airing earlier this month.


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