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Date: 2009-08-25
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Apple Compressor 3.5
Apple has done a lot of work underneath the hood to help bring a more powerful encoder for us, the Final Cut Pro editors
With the long-anticipated update to Final Cut Studio, Apple has introduced an upgrade to Compressor. Not a full new version, but still a significant update, nonetheless. However, you need to consider that while Compressor is a stand-alone application, it's now a major part of Final Cut Pro 7, and that is where its strengths lie.

Star East Digital Ramps Up Productivity with SCRATCH Data and 4K Workflows
CEO Yoon Kim and digital artist Kevin Kang of Star East Digital Labs (Seoul, South Korea) were looking for another grading system to integrate into their existing post-production workflows. After putting SCRATCH(r) through its paces, they determined SCRATCH had the power, real-time performance, features, and stability to deliver high quality results for their clients. One such project is Take Off - the current #1 box-office hit in Korea.


Cut + Run's Andy McGraw Travels to Shanghai for Anta "Deuce"
Andy McGraw was offered a sporting chance and victoriously delivered a complex edit for this new ANTA Sport commercial directed by David Edwards of HANraHAN for JWT Shanghai.

First Look: Panasonic AG HMC150 AVCCAM camcorder
Back in 2005, my aunt asked me to videotape her wedding. Now I am not a professional videographer, but rather, over the years I've enjoyed shooting video with all types of cameras, be it via my digital camera, my Flip video camera, to a variety of miniDV cameras. So I agreed to tape her wedding.

Apple Final Cut Pro 7
There are plenty of great new features that make it worthwhile to upgrade
A little more than two years after Final Cut Pro 6 introduced the ProRes codec, Background Processes, Smooth Cam, and many other functions, Apple debuts Final Cut Pro 7 (FCP), part of the third version of Final Cut Studio. There are more ProRes options, export settings that can be done in the background without Compressor 3.5 open, iChat Theater support (an excellent collaboration tool), and much more. FCP is 10 years old this year, and they've been listening to us, the editors! Let's just dive in and take a look at all the new stuff.

Adobe Soundbooth CS4 Essential Training: Keyboard shortcuts
Customizing your workspace
In this video, Lynda.com host Sven-Erik Seaholm discusses Soundbooth's customizability, and specifically Soundbooth's keyboard shortcuts. He shows how to save your own personal keyboard shortcuts, enhancing your productivity.

Blue Room Shoots Five Spots For NFL.Com Fantasy Files and Reebok
Produced by Blue Room, the award-winning NFL Fantasy Files have been reopened. Filmed for NFL.com and Reebok, the viral campaign began rolling out one spot a week on July 20 on NFL.com, NFL Network s Total Access and Reebok.com. Designed to incite fantasy football signups and interest for NFL.com, the series of five :30 spots features NFL stars: Joe Flacco (Baltimore Ravens), Santonio Holmes (Pittsburgh Steelers), Maurice Jones-Drew (Jacksonville Jaguars), Darren Sproles (San Diego Chargers) and Kevin Boss (NY Giants).

Adobe Soundbooth CS4 Essential Training: Metadata and Properties panel
In this video, Lynda.com host Sven-Erik Seaholm covers metadata and how it provides a customizable way of cataloging, sorting and searching your files, making metadata files an integral part of your project management.

Sony Sound Forge Non-destructive Editing Techniques, Part II (Playlist)
In the previous article, we looked at using Sound Forge's project file format for non-destructive audio editing. Here we'll look at the Playlist feature which also lends itself to editing your work without affecting the file and therefore protecting your valuable original data.

Adobe Soundbooth CS4 Essential Training: History Panel and Snapshots
Go to any point in time in your audio editing process and selectively undo any tweak
In this video, Lynda.com host Sven-Erik Seaholm covers the history panel, which enables you to go to any point in time in your audio editing process and selectively undo any tweak that you've made to the project. He also covers the Snapshots tool as well.

Sony Sound Forge Non-destructive Editing Techniques, Part I (Project Files)
working on a reference to the original media, and not the media itself
When using Sound Forge for audio editing, clean-up, and mastering, you typically work directly on the original file. While you do have undo commands, once you save a file you make a permanent, destructive change to it. Most people get around this limitation (and potentially dangerous situation) by working on a copy of the original.


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