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Date: 2009-08-13
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Adobe Soundbooth CS4 Essential Training: History Panel and Snapshots
Go to any point in time in your audio editing process and selectively undo any tweak
In this video, Lynda.com host Sven-Erik Seaholm covers the history panel, which enables you to go to any point in time in your audio editing process and selectively undo any tweak that you've made to the project. He also covers the Snapshots tool as well.

Adobe Soundbooth CS4 Essential Training: Task Panel and effects
Change the pitch and timing, clean up audio, create loops, remove a sound
In this video, Lynda.com host Sven-Erik Seaholm covers the task panel and the tools that enable you to change the pitch and timing, clean up audio, create loops, remove a sound, and volume correction. He also covers the effects rack and the various effects available in Soundbooth.


Sony Sound Forge Non-destructive Editing Techniques, Part II (Playlist)
In the previous article, we looked at using Sound Forge's project file format for non-destructive audio editing. Here we'll look at the Playlist feature which also lends itself to editing your work without affecting the file and therefore protecting your valuable original data.

Sony Sound Forge Non-destructive Editing Techniques, Part I (Project Files)
working on a reference to the original media, and not the media itself
When using Sound Forge for audio editing, clean-up, and mastering, you typically work directly on the original file. While you do have undo commands, once you save a file you make a permanent, destructive change to it. Most people get around this limitation (and potentially dangerous situation) by working on a copy of the original.

Adobe Soundbooth CS4 Essential Training: Preferences
Customizing your workspace
In this video, Lynda.com host Sven-Erik Seaholm takes a look under the hood of SOundbooth's feature set to see what can be customized for advanced users. He covers the preferences field, and covers the custom time format, the display (hours mintues, seconds, frames), scores folder, the Preferences radio buttons, and more.

Adobe Soundbooth CS4 Essential Training: Panels Palette
Customizing your workspace
In this video, Lynda.com host Sven-Erik Seaholm covers the panels and dockable palettes in Soundbooth CS4. He shows how they work, how to hide panels in the workspace, how to move the panels, how to arrange panels for easier access, and how to create a custom workspace with your panels and saving that workspace. He also shows how to go back to the default workspace.

CUT + RUN'S STEVE GANDOLFI AND SAM JONES GIVES IT THE HULA HOOP
Steve Gandolfi and Sam Jones recently edited two spots for Mark Denton of Coy! Communications and Publicis London for the launch of Hula Hoops latest TV Campaign.

Adobe Soundbooth CS4 Essential Training: Scoring video
In this video, Lynda.com host Sven-Erik Seaholm talks about Scores, which enable you to add music to projects that can be edited and customized for your job. he talks about the Video Panel and how add scores to your video. He also shows how to edit the scores to fit your video.

3ality Digital to Showcase Integration of Visual Effects and Live-Action 3D at SIGGRAPH 2009
At the SIGGRAPH 2009 show in New Orleans, 3ality Digital will show the integration of CG special effects with live action 3D with the presentation of footage from NBC's "Chuck vs. The Third Dimension,"what the company says is the first episode of a scripted television show captured in live action digital 3D. The screening will take place Thursday August 6 (6:30 - 9 p.m., Room 260) and Friday August 7 (10 - 11:30 a.m., Room 271).

Elemental Accelerator showcased at SIGGRAPH 2009
Plug-in offers 11x speedup of h.264 encoding in Premiere Pro CS4
At SIGGRAPH 2009, the Elemental Accelerator 2.0 plug-in for NVIDIA Quadro graphics cards can be seen at PNY Booth #2017. It was also announced that Hewlett Packard's HP Z workstations have been outfitted with the CUDA based plug-in to enhance and speed up processes in Adobe Premiere Pro CS4.

PNY's Carl Flygare talks graphics cards at SIGGRAPH09
Graphics cards play a central role in the creation of animation and special effects that artists see annually at the SIGGRAPH show (in New Orleans this year) and what consumers seem to desire more of in their daily exposure to digital entertainment, be it via the movies, video games, ride simulators, even TV. Over the last several years, artists have been pushing the envelope in what they can create with the tools that are available to them.


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